Season 5

You know the Butcher? That freakin' nutjob that goes around just chopping people up? Well, we're about to spend nearly three hours talking about him.

Knock knock. Who's there? M. Night Shyamalan, of course. We're answering the door and ushering in the apocalypse with a look at Night's latest offering.

What if there was a beach that made you old? Only the mischievous mind of M. Night Shyamalan could conjure such a place.

On the week of its release in January of 2019, Griffin and David discussed M. Night Shyamalan's latest offering, Glass.

On the week of its release in January of 2017, Griffin and David discussed the new M. Night Shyamalan film: Split.

In the final episode of the Pod Night Shyamacast mini series, Griffin and David discuss the SyFy Channel hoax documentary, 2004's The Buried Secret of M. Night Shyamalan.

Louis Peitzman joins Griffin and David to discuss the old person horror, 2015's The Visit.

James III joins Griffin and David to discuss the incredibly dull, thinly veiled Scientology sci-fi, 2013's After Earth.

Seaton Smith joins Griffin and David to discuss 2010's agonizing, unwatchable fantasy adventure, The Last Airbender.

This week, Griffin and David discuss M. Night's first ever R rated film, 2008's The Happening.

Richard Lawson joins Griffin and David to examine 2006's egotistical bedtime martyr tale, Lady in the Water.

David Ehrlich joins Griffin and David this week for an in-depth analysis of 2004's isolationist thriller, The Village.

Murf Meyer and Dana Kolsky join the two friends' ongoing investigative mini-series of Shyamalan's films, they discuss 2002's faith biased, alien invasion movie, Signs.

Matt Patches joins Griffin and David this week to discuss Shyamalan's fourth feature, Unbreakable.

Joining Griffin and David on this week's episode is special guest Katey Rich to help examine Shyamalan's 1999 breakout, career defining film: The Sixth Sense.

#TheTwoFriends sought to answer the questions: Is this guy a great filmmaker? A terrible filmmaker? Do you have to have made mostly good films to be a good filmmaker? Does money corrupt?